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[Watch] ABCD 2 (2015) Full Hindi Movie Watch Onlin


ABCD 2 (2015) Hindi Movie Infos:

Director: Remo D'Souza

Starring: Varun Dhawan, Shraddha Kapoor and Prabhu Deva

Genres: Thriller, Romance, Comedy

IMDb Rating: 6.0/10


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Ekkees Toppon Ki Salaami (2014) Watch Online Full Movie Download


A little over three decades, there was one film made by the name of JAANE BHI DO YAARON, which went onto not just attain a ‘cult status in Bollywood, but also give rise to a new ‘genre’ of filmmaking, about the hardships in the lives of common people but with a funny twist. Films like KHOSLA KA GHOSLA, OMG – OH MY GOD!, PEEPLI LIVE etc are a testimony to it.

This week’s release EKKEES TOPPON KI SALAAMI is a satirical attempt at today’s commercial world that is interspersed with politics, power, greed and lust. This is one film which will make you laugh… laugh at the system and then laugh at yourself. The on-screen characters seem absolutely straight out of everyday life for they are the ones who do not need any make up to ‘highlight’ their roles. These are the characters that are very much a part of everyone’s day to day life.

The film starts off with the extremely sincere BMC employee Purushotam Narayan Joshi (Anupam Kher), who works as a fog machine operator. While his eldest son Shekhar Joshi (Manu Rishi Chadha) works as a small time employee in the BMC, his younger son Subhash Joshi (Divyendu Sharma) works for a leading politician, much against the wishes of his father. The sons don’t share the best relationship with their father, as he is a very honest man, while the boys are practical and money minded. While others prepare for their usual day at work, Joshi gets all prepared for his Retirement Day. Just a day prior to his retirement, like his daily routine, Joshi goes to the fog supervisor in order to surrender his fog machine. Since the supervisor is ‘busy’ watching an adult video on the internet, he casually tells Joshi to leave the machine behind and that he will do the necessary formalities. Even though Joshi is a bit reluctant to do so, he ultimately gives in to the supervisor’s instructions and leaves the fog machine with him, without making an entry for that day. The next day Joshi, with a cheerful and content face, enters his office anticipating a big send off party for him. However, the department head accuses him of stealing the foc machine and labels him a theif, rejecting his character certificate and instead putting a case on him. Joshi goes into depression and his health collapses. Just a few minutes before khis death, he has a heated argument with his two sons. In that moment, his youngest son Subhash promises his dying father, that he will be treated to a ’21 gun (cannon) salute’ at his funeral.

Will Subhash actually manage to keep his promise to his dying father and get a ’21 gun (cannon) salute’ and what difficulties he will face in doing so is what forms the rest of the story.

Director Ravindra Gautam really needs to be applauded from the bottom of the heart for having come up with such a unique film. The way he has treated the subject and extracted performances from his actors, makes him a director to look forward to in the future.

As far as the performances are concerned, it is really difficult to simply handpick one name over the others as each and everyone in the film have done their bit and that too very religiously. It is their combined efforts which make the film a watchable one. After years and years of solid experience, Anupam Kher makes his performance in the film look absolute effortless. Remarkable scenes include his confrontation with his sons before his death. On the other hand, it is the likes of Divyendu Sharma and Manu Rishi Chadha who deliver one of their best performances. Divyendu excels in the role of the younger son; his transformation from a carefree man into someone so very responsible and full of humanity is highly remarkable. The seasoned actor Manu Rishi Chadha supports Divyendu very well throughout the film. The surprise package of the film is indeed Aditi Sharma, who very effortlessly delivers a towering performance in the role of Taanya Srivastav. The other actors in the film include some of the seasoned names and also newcomers, who help in taking the story forward.

Just when one thought that everything was going right for this film, the biggest (and possibly the only) drawback comes in the form of the film’s music by Ram Sampath. Some of the songs are far away from being hummable and interrupt the flow of the story. Even though the film has some minute flaws, they can be overlooked thanks to the film’s tight script. The film’s editing (Amitabh Shukla) could have been been smoother. The film’s cinematography (Sanjay Mamane) is average.

On the whole, EKKEES TOPPON KI SALAAMI has a unique storyline and good performances while makes it an entertaining watch.

Entertainment (2014) Watch Online Full Movie Download


An interesting news-piece highlighted the fact that an increasing number of pet owners are providing provisions for their pets in their wills. The write-up focused on some of the world’s richest animal heirs, which included a Pooch, Labrador, Bull Terrier, Chihuahua, Ragdoll Cat… even a Chimpanzee.

The West has attempted films on pets inheriting the wealth of their deceased master. Recall films like THE RICHEST CAT IN THE WORLD [1986] or THE DUKE [1999]. A number of dream merchants in Bollywood have explored the man-animal relationship in films — HAATHI MERE SAATHI, TERI MEHERBANIYAN or the more recent YEH HAI BAKRAPUR. ENTERTAINMENT is, perhaps, the first Hindi film that depicts the dog as the heir to his deceased master’s riches.

What makes ENTERTAINMENT attention-grabbing — besides its distinctive storyline — is the fact that it is helmed by Sajid-Farhad, who have penned several laughathons in the past. Naturally, one expects their directorial debut to be a rib-tickling entertainer. There’s one more reason — Akshay Kumar. The actor, synonymous with comedies, has a terrific comic timing and with a title like ENTERTAINMENT, the film ought to live up to those lofty expectations, right? Does ENTERTAINMENT hit the right notes? Let’s find out!

First, the premise! Akhil [Akshay Kumar] struggles to make ends meet by doing petty jobs. He does all this to support his ailing father [Darshan Jariwala], who has been hospitalized. Akhil gets a jolt when he overhears his father telling the nurse that Akhil is not his son. That’s not all, for he also gets to know that the wealthy diamond merchant, Pannalal Johri [Dalip Tahil], is his father, who had cheated his mother.

When an over-excited Akhil breaks this news to his pal [Krushna Abhishek], the duo also get to know, through a news channel, about Pannalal Johri’s sudden demise in Bangkok. Akhil rushes to Bangkok to stake claim on his fathe’s fortune. However, Akhil gets a shock when the lawyer [Johny Lever] informs him that his father has bequeathed his fortune to his dog — Entertainment. What happens next?

Sajid-Farhad have been an integral part of Rohit Shetty’s movies and unsurprisingly, Rohit’s influence shows in their very first outing as well. Much like Rohit or for that matter, David Dhawan and Anees Bazmee, who have focused on providing ample laughs and amusement in those 3 hours, Sajid-Farhad too throw logic out of the window, focus only on tickling your funny bone and offer unabashed, over the top humor.

Sajid-Farhad also integrate the man-animal relationship smartly in the narrative and create episodes that are ludicrous, but comical. One doesn’t mind absurdities or irrational situations as long as you have a good laugh and Sajid-Farhad make sure the humor is never in short supply. Much like their predecessors, Sajid-Farhad’s first attempt is akin to your fav fast food that may be low on nutrition [sensible, path-breaking stuff], but your taste buds relish it and you savor it till it lasts.

The writing is stuffed with uproarious episodes and a couple of them are indeed side-splitting. The sequences between Akshay and Krushna Abhishek [at the commencement of the film] or the antics between Akshay and the pet do bring a smile on your face and at times, makes you break into guffaws. Really, if you need to de-stress yourself, ENTERTAINMENT — with all its bizarre, outrageous and wacky jokes and superb one-liners — serves the purpose.

However, you cannot disregard the loose ends. The humor quotient goes downhill as the comic villains [Prakash Raj and Sonu Sood] surface slightly before the intermission. The gags and funny episodes, all of a sudden, take a back seat towards the second hour and though Sajid-Farhad do make an attempt to pack hilarious occurrences, you aren’t amused really. Furthermore, a number of sequences in the post-interval portions are stretched for no reason, with a couple of jokes appearing forced in the scheme of things. Nonetheless, the pace gains momentum yet again towards the penultimate stages.

The soundtrack boasts of two popular tracks — ‘Johnny Johnny’ and ‘Veerey Di Wedding Hain’ — which are already a rage with listeners. ‘Teri Mahima Aprampaar’ is another tuneful composition that has been filmed skillfully. The DoP imparts a rich texture to the visuals and the eye-catching locales of Thailand aid him in his endeavor.

Akshay returns to the comfort zone [comedies] and expectedly, is charismatic, charming and vibrant. His faultless comic timing coupled with the enthusiasm with which he goes through his part is worthy of immense praise. Tamannaah is endearing and though she’s paired with Akshay for the first time, they compliment each other wonderfully well.

The supporting cast also adds to the madness. Mithun Chakraborty is in fine form yet again. It’s a sheer joy to watch Prakash Raj and Sonu Sood step out of villainous roles and have fun with comic characters. Johny Lever is top notch, evoking ample laughter on varied occasions. Krushna Abhishek is simply outstanding. His comic timing is impeccable and his one-liners are howlarious.

Dalip Tahil, Darshan Jariwala and Vrajesh Hirjee are okay. Riteish Deshmukh, Shreyas Talpade and Remo D’Souza appear in cameos. The pet, a Golden Retriever named Junior, is simply adorable.

On the whole, ENTERTAINMENT is a joy ride that lives up to its title. Go, laugh out loud and get entertained!

Bobby Jasoos (2014) Watch Online Full Movie Download


There’s a spurt of women-centric films. Films like NO ONE KILLED JESSICA, THE DIRTY PICTURE, KAHAANI [all three featuring Vidya Balan], FASHION, HEROINE [both helmed by Madhur Bhandarkar], ENGLISH VINGLISH and more recently, QUEEN and REVOLVER RANI [both featuring Kangna Ranaut] have encouraged a number of film-makers and writers to think beyond the clichéd, formulaic male-dominated movies. The BO triumph of a majority of those films has certainly given an impetus to the trend.

At the same time, there is a spate of detective movies in Bollywood. The year commenced with MR JOE B. CARVALHO, then SAMRAT & CO. followed, this Friday witnesses Vidya Balan donning the garb of a detective in BOBBY JASOOS, while DETECTIVE BYOMKESH BAKSHY and JAGGA JASOOS are in production stages. The genre, it is apparent, is being lapped up by storytellers. What makes it fascinating is the fact that reputed Studios/production houses as well as top of the line stars are ready to step out of the comfort zone to act in these films.

Come to think of it, we haven’t had a woman detective in Hindi films so far. Will BOBBY JASOOS trigger off a trend? Having said that, although BOBBY JASOOS narrates the story of a detective, the makers make sure they add human drama to it, which sets it apart from the detective films we have witnessed thus far. But an unenergetic screenplay acts as a roadblock. More on that later!

The premise first! Bobby [Vidya Balan] hails from a modest neighbourhood of Hyderabad. Her parents [Rajendra Gupta, Supriya Pathak] are keen she gets married, but Bobby is keen to chase her dreams of becoming a detective. She offers to work for a leading detective agency, but when things don’t work out, she starts her own detective agency — Bobby Jasoos P. Ltd.

Slowly but surely, the cases start coming in, but the cases are trivial and don’t interest her. The story takes a turn when Anees Khan [Kiran Kumar] offers Bobby to trace some missing people. Glad that she has made a beginning, Bobby grabs the offer instantly, but as she starts the investigations, she realizes something is amiss…

Unlike the protagonists of MR JOE B. CARVALHO and SAMRAT & CO., who ended up looking like a parody of Sherlock Holmes, first-time director Samar Shaikh and writer Sanyuktha Chawla Shaikh ensure they instill anxiety, the feeling of uneasiness and make the spectator impatient as the drama unfolds. Concurrently, the element of mystery is wonderfully intertwined in the narrative, which draws the audience into the world of Bobby and the case she decides to take up. The twists and turns that ensue — when Bobby realizes that this case is not as plain sailing as it appears to be — involve the spectators completely, also because the writer and director make sure the film doesn’t follow the stereotypical formula.

While much of the first half is devoted to constructing the suspense, the post-interval portions, sadly, do not live up to those lofty expectations. Sure, there are some absorbing moments and you do hope to get a shocker when the veil of suspense is finally lifted — about the missing girls and also about the true identity of Kiran Kumar. Sadly, what transpires makes you wonder, what was the chase all about? Why did those families disappear? The reasons offered by Kiran Kumar aren’t too persuasive. Furthermore, the film lacks the thrill quotient, which is so essential in a film like this.

A couple of episodes have also been elongated without much reason. The biryani episode and prior to that, the audition part could’ve been condensed for a stronger impact. Besides, the writer integrates the romantic track with the core story, but there are times when you feel it appears forced in the scheme of things. The romantic song before the climax, for instance, is like a sore thumb and could’ve been circumvented. Even otherwise, the soundtrack is nothing to hum about. The beautiful locales of Hyderabad have been captured with flourish by the DoP [Vishal Sinha].

Vidya Balan is known to walk that extra mile to get the character right. The supremely talented actress, who is seen in a variety of disguises in BOBBY JASOOS and speaks in Hyderabadi accent, is the soul of the film. She embraces the part with all the power that she can muster and is absolutely brilliant. Ali Fazal is a complete revelation. Although pitted against a powerhouse performer like Vidya, Ali makes his presence felt with a wonderful performance.

The film has a strong supporting cast, but the ones who register noteworthy performances include Rajendra Gupta [as Vidya’s father] and Kiran Kumar. Both are top notch! Surprising, talented names such as Supriya Pathak, Zarina Wahab and Tanvi Azmi are relegated to the back seat and don’t get meaty characters to leave much of an impact. Arjan Bajwa is just about okay. Aakash Dahiya and Prasad Barve [as Shetty], Vidya’s constant companions, leave a mark.

On the whole, BOBBY JASOOS has an interesting premise, but the writing plays the spoilsport. The saving grace and also the USP is Vidya Balan for sure, but is that enough to salvage the film?

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Added on : December 4th, 2014


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Piku (2015) Movie Info:
Initial release: May 8, 2015 (India)
Director: Shoojit Sircar
Music composed by: Anupam Roy
Genres: Comedy, Bollywood, Drama film
A cab driver (Irrfan Khan) is caught between a dysfunctional father (Amitabh Bachchan) and daughter (Deepika Padukone) as he drives them to Calcutta.

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Starring : Mithun Chakraborty, Ajay Devgn, Kareena Kapoor,
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Genre : Action, Comedy, Drama


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Language : Hindi

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Director: Karan Johar

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Director: Sanjay Leela Bhansali


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Director : Kabeer Kaushik


Producer : Arshad Warsi, Maria Goretti


Genere : Comedy


Cast : Arshad Warsi, Dia Mirza, Boman Irani,Zehra Naqvi,Shernaz Patel,Tinu Anand,Javed Sheikh (Pakistan),Asawari Joshi,Rituraj Singh

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Directed: Remo D’Souza

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Director: Nikhil Advani


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Stars: Rishi Kapoor, Dimple Kapadia, Akshay Kumar,Anushka Sharma

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